Ch 3 & 4 Notes
Ch 3 – Deadpan
- · Deadpan Aesthetic: cool, detached, sharp photography
- · Not an obvious meaning behind the images
- · First popular in the 1990’s
- · Contemporary art
- · Locations: industrial, architectural, ecological, and leisure areas
- · ‘Germanic’
- · Bernd Becher of Dusseldorf, Germany
- · Showed social and political issues
- · Gursky – monocular perspective of the world à not just stepping back a large distance
- · A dominant position
- · Analyzing the world through thoughtfulness and precision
- · Bridget Smith à architecture in Las Vegas
- · Takashi Homma à newly built suburban houses
- · Jacqueline Hassink à Mindscapes à investigations of architecture
- · Lewis Baltz à ‘New Topographics: Photographs of a Man-Altered Landscape
- · Style has capacity for capturing the wonder of the man-made world
- · Naoya Hatakeyama à heavy industrial spaces
- · Toyo Ito à engages with conceptual thinking
- · We engage with depiction of passing seasons or memories
- · Certain angles make a perspective or experience more evident
- · Landscapes can be used as metaphorical meaning
- · Clare Richardson à Sylvan series à farming communities in Romania
- · Ruff à portraits of no emotion à inhibits lots of emotions in us
- · Diijkstra à newborns with their mothers à vulnerability in the Netherlands
Ch 4 – Something and Nothing
- · David Weiss à Quiet Afternoon à table-top assemblage
- · Gabriel Orozco à impossible, witty images oc sculptures, or animated conversations
- · Jason Evan à New Scent à weather conditions effect the physical image
- · Details are given subtle visual intrigue
- · Nigel Shafran à Sewing Kit à balancing act of domesticity
- · Jean-Marc Bustamante à Something is Missin gà taken in many cities to show landscapes on edges
- · Architecture Is most interesting in abandoned and deteriorated places
- · “what they’ve left behind”
- · Subtle details can change the way we begin to look at life
- · Roe Ethridge à confident and diverse à twists in image types
- · James Welling à infinite possibilities à intellectural substance
- · Must see things from several vantage points to know them
No comments:
Post a Comment